Posts tagged ‘Tokyopop ‘

Manga Moveable Feast: Sailor Moon

When the Sailor Moon Manga Moveable Feast was announced, I knew I absolutely had to contribute something. After all, it is because of Sailor Moon that I became interested in anime and manga in the first place. I’ve been a fan for almost half of my life, and I still proudly call myself a Moonie. (I even write SM fanfiction!) Though I’ve seen better anime and manga since those early days, Sailor Moon will always hold a special place in my heart.

But what to write about? The obvious choice was a review, but I only review completed series on this blog. That would mean I would have to review the Mixxzine/Tokyopop version of the manga, and, well…there’s nothing really nice I can say about it, other than that I’m glad it came out at all, even with the shoddy binding — my copies are pretty much falling apart — and loose translation. Hey, it was better than nothing, but eternal love to Kodansha for the awesome rerelease. (However, I did write a review about Codename: Sailor V, which you can find here.)

Then I thought about writing an essay, but I’ve been involved in the fandom for so long, there’s very little I haven’t already discussed about the series in some fashion before, whether on message boards, Livejournal posts, or among friends. I couldn’t even decide on a topic. Comparison between the manga and anime? Mythological influences? Feminism and the Sailor Senshi? My favorite Senshi, and why I love her? (Pluto, by the way, because she’s awesome and tragic.) Why Chibi-Usa/Helios is my all-time favorite OTP? Who is Sailor Cosmos, really, or how the heck does time travel really work in the SM universe? (I actually did write that essay a few years back. If you’re interested, you can read it here at my website, but it may give you a headache, as anything related to time travel tends to do.) Clearly, it was impossible to pick just one, and I don’t have the time to write on all those topics, as much as I would like to.

So, I’m going to stick to something fun, fast, and simple: My Top Ten Favorite Sailor Moon Manga Moments. And if you have a favorite moment not on this list, feel free to mention it in the comments!

(It should be obvious that the following will filled with unmarked spoilers, so if you haven’t finished the series and want to remain surprised, I suggest you back-button now. Also, I’m using the Tokyopop version to put this list together, so volume and act numbers may be different from the Kodansha version.)

10. Volume 2, Act 9: The revelation of the real Moon Princess – When Tuxedo Kamen takes the brunt of Kunzite’s attack intended for her and is seriously hurt, Sailor Moon begins to cry, causing her tiara to crack and reveal the crescent moon sigil underneath. She turns out to be the Princess Serenity they had been searching for, not Sailor Venus, who had been posing as a decoy princess. Tuxedo Kamen, Sailor Moon, and the rest of the senshi unlock the memories of their past lives, and the seal on the Silver Crystal is broken as one of her tears transforms into a crystal. I just thought this was a beautiful moment.

9. Volume 4, Act 10: The first appearance of Chibi-Usa – And, boy, did she make one heck of an entrance! Shortly after the Dark Kingdom is defeated, Usagi meets up with Mamoru for a date after school. She gives him back his pocketwatch, which she had repaired, and he kisses her. However, at that moment, a little girl suddenly drops out of the sky and lands directly on Usagi’s head! The girl, claiming her name is also Usagi, holds Usagi at gunpoint and demands that she hand over the Silver Crystal.

8. Volume 14, Act 39: Life with the Outers’ family – Pluto may be my favorite, but I love the rest of the Outer Senshi as well, so I really liked the beginning part of this chapter. At the end of the Infinity arc, Setsuna (Pluto), Haruka (Uranus), and Michiru (Neptune) decided to “adopt” the reborn Hotaru (Saturn), and together, the four of them created a close-knit, if unconventional, family. However, though Hotaru is growing at a rapid pace and each of them can sense that a new threat has arrived, they can no longer transform into Sailor Senshi. I just loved the slice-of-life vibe of these domestic scenes contrasted with the sense of foreboding each of them feels concerning the enemy. It’s also really sweet how Haruka, Michiru, and Setsuna all wear a ring to symbolize their commitment to raising Hotaru.

7. Volume 11, Princess Kaguya’s Lover: Luna becomes human – The entire story — which was the basis for the Sailor Moon S movie — is wonderful, but the best part is undoubtedly the scene in which Sailor Moon uses her powers to grant Luna’s wish for one night: to become human for so she can confess her feelings to Dr. Kakeru Ohzora, a sickly astronomer she has fallen in love with. Pretending to be the Princess Kaguya he had always dreamed of meeting, she takes him into outer space to watch the sunrise, but knowing that his true love is his friend Himeko, she encourages him to get better so that someday he and Himeko may someday return to space together.

6. Volume 18, Act 52: The wedding – I’m not a huge fan of the Stars arc — the anime did it better — but it’s hard to deny that seeing Usagi and Mamoru get married is a fantastic way to end the series, and of course, Usagi’s wedding gown is gorgeous. Usa/Mamo fans couldn’t ask for more.

5. Volume 15, Act 42: The coronation ceremony – It’s not a real coronation ceremony, as Usagi isn’t fated to take the throne for a few more years, but it is a lovely way to end the Dream Arc, with everybody transforming into their royal forms and the revelation that the Amazoness Quartet –formerly their enemies — is actually Chibi-Usa’s future guard. Actually, had the series ended right there, I would have been perfectly happy. (Like I mentioned before, not a huge fan of the Stars arc in the manga.) It would have made a great finale.

4. Volume 10, Act 33: The battle against Pharoah 90 and awakening of Sailor Saturn – In order to defeat Pharoah 90, Sailor Moon decides to release the power of her crystal and the Holy Grail directly into him, sacrificing herself to save the world. At that moment, the Talismans begin to resonate, awakening Hotaru as Sailor Saturn. Sailor Saturn drops her Silence Glaive, ending the world, but Sailor Moon, who managed to survive, uses the crystal to revive the world, including resurrecting Hotaru as a baby. One of the things I disliked about the ending of the S season of the anime is that we don’t really get to see the final battle, so the manga ending for this arc is a marked improvement and features one of Sailor Moon’s most awe-inspiring feats: resurrecting the entire world.

3. Volume 11, Casablanca Memories – Yes, it may be cheating to call it a “moment”, but I’m talking about the entire short story. After Setsuna (Pluto) and Chibi-Usa (Chibi-Moon), Rei (Mars) is probably my next favorite senshi in the manga, so I love that this story focuses on her, fleshing out her family history — her mother died when Rei was young, and she doesn’t get along well with her politician father, so she lives with her grandfather — and explaining why she has such a distrust of men after her heart was broken by her first love. If I absolutely had to choose a single “moment” I liked the best, it would probably be the kiss shared between Rei and Kaidou, the aforementioned first love who broke her heart when he became engaged to another woman. It’s such a sad moment, to see Rei so desperate for him to love her even though he most likely only ever thought of her as a kid sister.

2. Volume 15, Act 42: Chibi-Moon awakens Helios with her kiss – I mentioned above that Helios/Chibi-Usa is my One True Pairing, and this is, without a doubt, my favorite moment between them. (In fact, it was difficult to choose between this moment and the next for the number one spot on this list.) After Nehelenia’s defeat, the curse on Helios’ body, which turned him into a Pegasus, is broken, transforming him back into his true human form. However, having used up his power to help them during the final battle, his body is lifeless. (It’s never made quite clear if he’s dead, or simply in a coma.) Chibi-Moon begs him to open his eyes, then kisses him, the power of her crystal bringing him back to life. As Helios awakens and sees her crying, he realizes that she is the Princess Lady Serenity he saw in his vision. *melts*

1. Volume 7, Act 23: The death of Sailor Pluto – My absolute favorite scene in the entire manga, and a large part of the reason why Pluto is my favorite senshi. Just as Prince Diamond is about to touch the Silver Crystals of the present and future together — which would destroy the world — Pluto uses her forbidden power to stop time. However, the price of breaking the greatest taboo is Pluto’s death. As she lays dying, Pluto implores Usagi to save Chibi-Usa (who is currently in her adult Black Lady form) and tells King Endymion that she was proud of her duty. Her final words are an apology for not being able to protect Chibi-Usa. Hearing that, Black Lady remembers her friendship with Pluto and begins to cry. One of her teardrops transforms into her own Silver Crystal, allowing Chibi-Usa to awaken as a Sailor Senshi for the first time, but it’s a bittersweet moment as she realizes her closest friend is dead. *sniffles* Even knowing that Setsuna/Pluto will return in the next arc, that part almost never fails to make me teary-eyed.

2 comments December 30, 2011

Manga Moveable Feast: Fruits Basket

This review was written for the Manga Moveable Feast, but I tried to make it as spoiler-free as possible. I won’t say that there are absolutely no spoilers, but there are definitely no major spoilers. However, I cannot guarantee the same for any possible comments that may be made, so read those with caution.

TITLE: Fruits Basket
AUTHOR/MANGAKA: Natsuki Takaya
RATING: Teen (13+)
SCORE: 10 (Masterpiece)
RECOMMENDED FOR FANS OF: Fruits Basket anime, Natsuki Takaya (mangaka of Tsubasa: Those With Wings and Phantom Dream), fantasy, romance, humor, drama, slice-of-life

Right off the bat, I’m going to admit that Fruits Basket is my favorite manga series of all time. I’m not even going to try to come across as unbiased during this review, because I’m not. I’m totally, completely 100% biased, and I make no apologies for that, because Fruits Basket is just that awesome.

Fruits Basket is the story of orphan teenager Tohru Honda. Not wanting to be a burden to anybody while her grandfather’s house is being renovated, she decides to camp out in the woods. Yuki Sohma — a classmate of hers and the “prince” of their school — and his older cousin Shigure happen to come across Tohru’s tent one night and inform her that she has been unknowingly trespassing on Sohma land. Tohru offers to pay them rent if they will let her continue camping in the forest, but snce neither Yuki or Shigure is good at cooking or cleaning, they offer to let Tohru stay with them in exchange for becoming their housekeeper instead.

Shortly afterward, Tohru meets another member of the Sohma family, the martial-arts-obsessed Kyo, whose goal in life is to beat his rival Yuki. It isn’t long, though, before Tohru learns that Kyo, Yuki, and Shigure are under a terrible curse. Whenever certain members of the Sohma family are hugged by a member of the opposite sex, they transform into an animal from the Chinese zodiac! As Tohru meets more of the cursed Sohmas and comes to care for them, she becomes determined to find a way to break the Sohma curse, once for all.

One could be forgiven for thinking that Fruits Basket is a fluffy shoujo high school romance at first glance. It does come off mostly as a romantic comedy at first, what with people turning into adorable animals and losing their clothes in the process, but it quickly becomes apparent that the Sohma curse is far more dark and sinister than it first seems. All the cursed Sohma members hold a deep pain in their hearts and have experienced plenty of darkness in their lives due to the curse, ranging from mental and physical abuse and bullying to rejection from family members and the loss of lovers. If you were to ask me who I thought was the worst off, I couldn’t even give you an answer, because the majority of their pasts are just that horrible. The Sohmas are the very definition of a dysfunctional family. In fact, it’s hard to think of a character in Fruits Basket who doesn’t live with some secret pain. Even Tohru and some of the more minor characters have their own tragic backstories.

Even with all the angst, though, Fruits Basket never completely loses the humor and warmth present from the beginning. Honestly, one minute I’ll be laughing my head off, then the next I’ll be on the verge of tears. I don’t think I’ve ever been quite so emotionally invested in a manga series before. What’s more, it’s the type of series that makes you analyze and consider things you might never have thought of otherwise.

Takaya is known for putting little “lessons” in her works, and there are two from Fruits Basket that particularly stick with me. The first is Tohru’s brilliant “umeboshi” analogy. She tells Kyo that everybody has a umeboshi (a plum usually used as flavoring in a rice ball) on their back, and the reason why people probably become jealous of each other is because while they can see the umeboshi on other people’s backs, they are unable to see their own — meaning they are unable recognize what is good about themselves. The second comes from a speech Yuki gives to Kisa, who has been the victim of bullying at her school. Her teacher sends home a letter, telling Kisa that if she wants her classmates to like her, she should try liking herself first, but Yuki realizes that it’s not that simple. A person needs to told that they are liked for who they are before they can start liking themselves, because otherwise, they won’t know what it is to like about themselves, only what they hate. I know from personal experience that is true, so Yuki’s speech really struck a chord with me.

There are other such lessons I could go on about — such as Momiji’s story of the Foolish Traveller or any number of things Tohru learned from her amazing mother — but this review lovefest is already getting ridiculously long, so I’ll leave those for readers to discover and ponder on their own.

The main draw of Fruits Basket, however, is the characters and the various relationships between them. It’s actually rather amazing how well Takaya handles such a large and varied cast. The characters are integrated so well with each other, with the possible exception of Ritsu Sohma, who basically disappears from the story after his introductory arc. That was a bit of a shame, but at the same time, Ritsu is the type of character who is most effective in small doses. He had the potential to become annoying very quickly, so perhaps it was for the best that he didn’t appear too much in the story.

The cast of Fruits Basket holds the honor of possessing not only the manga character I quite possibly love the most, but also the character I quite possibly hate the most. Those two characters would be Shigure and Akito Sohma.

For those who watched the anime before before checking out the manga like I did, the differences between anime!Shigure and manga!Shigure will probably come as quite a shock. The anime (which I also adore and consider one of my all-time favorites) version of Shigure, while incredibly hilarious and loveable, lacks the complexity and somewhat manipulative nature of his original manga personality. Underneath his goofy, lazy, and perverted exterior is a man who will stop at nothing to get what he wants, even if it means possibly hurting those he claims to care about. He’s sadistic and selfish, yet at the same time, he does ultimately have good intentions. That contradictory nature of his makes for a fascinating character to watch.

Akito, on the other hand, makes my blood boil like few other characters. It’s difficult to put into words just how much I loathe the character, who is the cause of so much pain and suffering to the cursed members of the Zodiac. Perhaps the best way I can put it is that even I, an avowed pacifist, wouldn’t hesitate to punch Akito in the face if we were to ever meet. Though Takaya does a good job of showing exactly how Akito came to be that way and even manages to draw up a little sympathy near the end, it doesn’t change the terrible things Akito has done. Yet I still really appreciated the utter ruthlessness of Akito’s character, for it underscored exactly how disturbing and messed up the curse was.

Another thing I loved about the series is the love triangle between Kyo, Yuki, and Tohru. When it comes to most love triangles in shoujo manga, it’s usually pretty obvious who the heroine will end up with, right from the start. The unlucky suitor is mostly just there to cause drama for the main couple before they inevitably get together. Not so in Fruits Basket, since Tohru is not initially interested in either boy in the romantic sense. Her relationship with both of them starts out as just friendship, which to me, who whole-heartedly believes that the best romances happen when the couple starts off as friends, makes the gradual growing of romantic feelings that blossom naturally over time that much sweeter when they happen. Really, the romance is such a subtle development that up until about the halfway point of the series, when it becomes clear who Tohru has actually fallen for, I could see her ending up with either guy. Truly, one of the most well-done love triangles I’ve ever read, and the resulting romance is just as wonderful.

But romantic relationships aren’t the only relationships of importance in the series. Friendships and family ties — whether or not the people involved are blood related — are given just as much focus. I particularly loved the stong friendship between Tohru and her two best friends, former deliquent Uotani and mysterious Hanajima. There’s also the hilarious Mabudachi Trio, featuring three of my favorite characters: the aforementioned pervy Shigure, the straight man Hatori, and the over-the-top Ayame, who also happens to be Yuki’s older brother. Yuki himself becomes a part of a rather ecletic group of friends when he joins the student council later in the series. I know there are a lot of people out there who tend to dislike the student council and the chapters that focused on them, but I actually rather adored them. They (especially Kakeru and Machi) served an important part in developing Yuki’s character, turning him from a guy I really didn’t care much about at the beginning of the story to a character I actually loved by the end. And they made me laugh in the process, which is always a plus in my book.

When it comes to family relationships in Fruits Basket, there are a lot of complications due to the nature of the curse, especially when it comes to mothers who give birth to cursed babies. It is said that mothers of Zodiac members tend to either become overprotective of their child or reject them. We see examples of both kinds throughout the story, and it is truly heartbreaking to witness some of the more painful rejections, such as Momiji’s and Rin’s. Even those parents who don’t totally reject their children — such as Yuki’s and Ayame’s materialistic mother — are often cold and unfeeling toward them, and being the overprotective sort can be just as bad, such as in the case of Kisa, who can’t bring herself to tell her mother about being bullied, or Kyo, whose mother tries so hard to love him that it basically destroys her. It’s no wonder that several of the cursed Sohmas come to view Tohru as a surrogate mother.

Perhaps the most important familial relationship in the series, though, is that between Tohru and her late mom Kyoko, who raised her as a single mother after Tohru’s father’s early death. Even though Kyoko dies before the series begins, she’s one of the most important characters in the series. Her influence on Tohru continues well after her death, as Tohru strives achieve the dreams Kyoko had for her, but her bond with her mother is so strong that it also holds Tohru back from truly moving on and letting her go, which serves to support the main theme of the series — that there is no such thing as “unchanging” or “permanence” when it comes to bonds between people, that it is okay for things to change and to end.

Boy, this thing turned out way longer than I thought it would be. And to think I was actually holding back on a lot of things I wanted to say, since I was trying to keep this review as spoiler-free as possible. I think my overwhelming love for the series is pretty clear by this point, so the only thing more I can say is that if you haven’t read this yet and can get your hands on it — it’s unfortunately out-of-print now that Tokyopop has closed — do it. Obviously, I can’t guarantee that you’ll love it, but there’s a pretty good chance you will if you just give it a try.

11 comments July 29, 2011

Eensy-Weensy Monster

Note: This review is a bit more spoiler-filled than my usual reviews, since I had some issues with the ending.

TITLE: Eensy-Weensy Monster
RATING: Teen (13+)
SCORE: 7 (Good)
RECOMMENDED FOR FANS OF: Masami Tsuda (mangaka of Kare Kano), romance, comedy

My last few reviews have been heavy on CLAMP, so this month I’ve decided to focus on Eensy-Weensy Monster, a new series from the mangaka of Kare Kano.

Compared to genius Renge and beautiful Nobara, her two best friends, Nanoha Satsuki is just your average, ordinary high school student. She’s frequently overlooked by her classmates and teachers until one day she unleashes her inner “monster” on Hazuki Tokiwa, the “prince” of the school. Everything about him — his looks, his popularity, his grades, his athletic ability — gets on her nerves for no apparent reason, and the usually nice Nanoha tells him off, calling him an “arrogant bastard” to his face.  

Hazuki ends up taking Nanoha’s words to heart and realizes that she’s right. He’s vain and superficial and only cares about himself. Deciding that he wants to become a better person, he stops hanging around his adoring fangirls, causing his popularity to take a hit, and strikes up a friendship with a disbelieving Nanoha, eventually falling in love with her. But is it Nanoha he really likes, or is it the “monster” inside of her?

Eensy-Weensy Monster is a very sweet and funny romance. There’s no annoying third parties trying to break them up — unless you count Hazuki’s fangirls, who make a half-hearted attempt to separate them in one chapter before finding an even more handsome “prince” to swoon over — and no melodramatic plot twists to keep them apart, just simple misunderstandings as Nanoha and Hazuki struggle to comprehend their growing feelings for each other as they fall in love for the first time. That’s probably the series’ greatest strength. Tsuda does a wonderful job of showing how two people can have wildly different interpretations of the same event. For example, in one scene, Hazuki comes across Renge giving Nanoha tutoring lessons. He smiles, admiring how hard she’s working to understand the lesson, but Nanoha thinks he’s laughing at her since doing well in school comes so easily to him. Moments like these make it understandable why it takes a while before the two of them get together.

The problem is, due to the way the series is structured, it takes <i>too</i> long for them to get on the same wavelength. The series is twelve chapters long, with each chapter covering a month of time. For the most part, this works fine in the first volume. They don’t like each other at first, after all, and it takes time for them to become close since Nanoha isn’t sure if Hazuki is sincere in his desire to be her friend. It’s realistic that it would take a few months before Nanoha accepted Hazuki as a true friend. However, in the second volume, though Hazuki realizes he’s in love with Nanoha and confesses to her in June, they don’t officially get together until the last chapter, happening in November. That’s six months Nanoha keeps Hazuki waiting for an answer to his confession, even though she realizes she’s in love with him too in August.

You really have to admire Hazuki’s patience; most people would probably give up after waiting so long for an answer to their declaration of love. In fact, if Hazuki had started dating somebody else during that six month period, it would make sense why Nanoha waited so long to tell him that she loved him, too. Unfortunately, the misunderstandings that were so charming in the first half of the series start to wear a bit thin in the second as Nanoha makes a mountain out of a molehill, misinterpreting something Hazuki says in the worst possible manner. Honestly, the last few chapters would have worked better if they had happened over the course of a couple of weeks, not months. The one month/one chapter set-up is a clever enough gimmick, but I just can’t help but feel it was really unnecessary for a story like this one.

Still, the likable characters and gentle humor make up some for the mistakes in pacing. I particularly enjoyed Hazuki’s development from clueless, self-obsessed pretty boy to somebody who truly cares about others. I liked his resolve to become a better person, even if it meant losing some of his popularity, and his genuine admiration of Nanoha is very touching, especially since Nanoha doesn’t think she’s anybody special. I also found his slight jealousy of Nobara — who is so beautiful and charming that even the girls want her — quite hilarious. As for Nanoha, she’s admittedly most interesting whenever her “little monster” makes an appearance, but even the “normal” Nanoha can be a little devilish at times, cutely flirting with Hazuki without even realizing it. I also enjoyed the friendship between Nanoha, Renge, and Nobara, which unfortunately fades mostly to the background in the second volume. It would be easy for someone like Nanoha to feel at least a little resentful toward her friends for their brains and beauty, but she doesn’t at all.  

As for the artwork, I can’t say I’m a huge fan of Tsuda’s drawing style. Her noses come out strange sometimes, and she overdoes the screentone whenever characters blush or are flustered, which happens often. Still, some of the page layouts are really effective, especially when showing Hazuki’s and Nanoha’s point of views of the same event side-by-side.

I debated between giving this an eight or a seven. The second volume isn’t as good as the first due to the strict adherence to the one month/one chapter format and the relative lack of Renge and Nobara, but the story still made me smile. I also really enjoyed the way Tsuda explored both Hazuki and Nanoha’s feelings in nearly equal measure over the course of the series. In the end, I gave it a seven, but it’s really borderline. I’d still recommend Eensy-Weensy Monster to anybody looking for a cute romantic comedy that isn’t too much of a strain on the wallet.

Add a comment April 15, 2011

Duklyon: CLAMP School Defenders

TITLE: Duklyon: CLAMP School Defenders
RATING: Youth (7+)
SCORE: 7 (Good)
RECOMMENDED FOR FANS OF: CLAMP (Tsubasa Reservoir Chronicle, CLAMP School Detectives, Man of Many Faces, X, etc.), comedy, sci-fi, action, adventure, supernatural, romance

Continuing with yet another out-of-print CLAMP title, this month’s review focuses on the goofy, but charming, Duklyon: CLAMP School Defenders, in which the mangaka team tackles the world of sentai.

Duklyon, along with CLAMP School Detectives, Man of Many Faces, and some parts of X, is set at the CLAMP School, where the brightest and best come to study. Functioning as a small city, the CLAMP School encompasses all grades from kindergarten up to graduate school, and the extremely wealthy Imonoyama family who founded the school spares no expense when it comes to keeping the students happy, allowing them to hold frequent fun and elaborate festivals and celebrations.

Tenth graders Kentaro Higashikunimaru and Takeshi Shukaido are students at the school, but they are also a part of the CLAMP School Defenders, a secret sentai team formed to defend the school from attackers. Together with team leader and informant Eri Chusonji, the CLAMP School Defenders fight against the evil Imonoyama Shopping District Association, who plan to take over the world.

It is impossible to take Duklyon seriously, and that’s what makes it such a fun series. The whole thing is completely ridiculous and over-the-top. The Imonoyama Shopping District Association claims that it wants to take over the planet, but it’s difficult to see how any of their schemes — such as holding the president of the kindergarten class (Utako Okawa from Man of Many Faces and CLAMP School Detectives) hostage or taking over the school’s cafeteria — would actually lead to world domination. Not that the CLAMP School Defenders are any brighter, mind you. Kentaro, especially, has a bad habit of almost letting it slip to people that he’s a member of secret fighting duo that defends the school from evil, and neither they nor their classmate Kotobuki Sukiyabashi — the not-so-secret head of the Imonoyama Shopping District Association — figure out each others’ identities until near the end of the series, even though the three of them are always disappearing at around the same time to fight. In fact, they are on rather friendly terms with each other in class. 

However, as funny as the tongue-in-cheek humor is, the first half of the series is etremely repetitive. Most of the chapters in the first volume can be pretty much be summed up as such:

1) Kentaro, Takeshi, and Kotobuki start out by having a conversation (usually about food) when Kotobuki suddenly announces he has to leave.
2) Kentaro and Takeshi hear the music to summon them and head to the Dukylon Bakery, where they travel down a hidden chute in the bakery’s oven to the secret base.
3) There, Eri yells at them for being late, and a person referred to as the General — Nokoru Imonoyama from CLAMP School Detectives, though he never shows his face — gives them their instructions.
4) The CLAMP School Defenders show up and defeat whatever animal-based monster the Imonoyama Shopping District Association has sent out.

I have to admit, it was kind of a chore to get through the first few chapters, but things start to get a lot more interesting when Kotobuki and Eri end up developing crushes on each other, neither of them aware that they are actually enemies. In fact, Kotobuki’s and Eri’s budding romance becomes more of the focus of the story in the second volume, relegating Kentaro and Takeshi to bit players for the majority of the second half — something they constantly break the fourth wall to complain about. It’s a welcome change in my opinion, leading to some great — if somewhat random — plot developments that may take a few readers by surprise. (I won’t say anything more than that, so not to spoil anybody.)

With a lot of the comedy being dependent on the characters, Duklyon also has a good cast. Serious and responsible Takeshi plays the straight man to more light-hearted Kentaro, who loves cooking food for Takeshi and claims to want to become his bride. Their dynamic is similar to that of Kurogane and Fai from Tsubasa Reservoir Chroncle — incidently, they do make a cameo appearance in TRC, along with Eri — and provides plenty of fuel for the slash fans out there. My personal favorite characters were Eri and Kotobuki, though. A tough and rather violent girl, Eri can often be found chasing her subordinates around with a mallet, but she shows a softer, cuter side to her personality whenever around Kotobuki. On the other hand, Kotobuki, despite his role as the antagonist, is actually rather kind and a bit on the shy side when he’s not playing the bad guy, and it’s pretty clear that his “civilian” identity is far closer to his true personality. Seriously, the two of them interacting together is just adorable.  

There’s no need to mention that the artwork is great. It’s CLAMP; that’s pretty much a given. I do take issue with Takeshi’s and Kentaro’s character designs, though. With the two of them being roughly about the same size and sporting dark hair that’s styled somewhat similarly, it can be difficult at times to tell them apart until they speak. It’s even worse when they’re in their armor, which features helmets that completely cover their faces. While their suits are different colors, that doesn’t help a bit when the manga is in black-and-white and the colors are indicated with similar-looking screentone.

If you were a fan of the Power Rangers or other sentai shows growing up, you’ll probably enjoy the wonderful cheesiness and humor present in Duklyon: CLAMP School Defenders. If you weren’t, there’s still a lot to enjoy, like the cute romance between Eri and Kotobuki. I wouldn’t call this a must-read, but it’s a fun, short series that even younger readers can enjoy.

Add a comment March 15, 2011

Miyuki-chan in Wonderland

TITLE: Miyuki-chan in Wonderland
RATING: Older Teen (16+)
CATEGORY: Shoujo-ai
SCORE: 3 (Very Bad)
RECOMMENDED FOR FANS OF: CLAMP (mangaka of X, Chobits, Legal Drug, etc.), fanservice

I have made it my mission this year to collect every CLAMP title that has ever been released in English, with the exception of X. (I refuse to read that long a series without confirmation that they will continue it.) Why? Eh, I don’t really know myself. The idea just kind of struck me one day, and I do have a completist mentality… Anyway, you can expect a lot more CLAMP reviews from me over the coming months, starting with this out-of-print title that I bought used for cheap, Miyuki-chan in Wonderland.

The plot of Miyuki-chan in Wonderland can be summed up as such: Cute high school girl keeps inexplicably falling into alternate worlds filled with scantily-clad women who want to get Miyuki naked and do naughty things to her. Obviously, this is a pure fanservice title, so I wasn’t expecting much out of it. Just boobs, butts, panty shots, and very pretty artwork (because it’s CLAMP).

Did it manage to exceed than the low expectations I set? Sad to say, no, it didn’t. Oh, certainly, the art is very pretty, and I adore the character designs in Miyuki-chan. Miyuki and the rest of the cast are just too gorgeous for words. I was especially fond of the design for the catgirl Cheshire Cat. Unfortunately, the character designs and the stunning color artwork that is included as a bonus are the only redeeming aspects of this title.

First off, just judging it as a fanservice title, it’s fairly tame. There’s a little bit of nudity, but it’s just Barbie doll nudity — not a nipple in sight. If I was a fanboy who picked up this title expecting some detailed female nudity, I would be sorely disappointed. Even that would have been fine, though, if the character interactions had been sexier. Some suggestive poses and dialogue, maybe even a kiss or two for the yuri fans out there… But like I said, things are pretty tame. You get sexy, lingerie-inspired outfits, a little wardrobe damage here and there, and some light teasing — and that’s about it. It’s just…not very titillating, in my opinion. (Granted, I am a straight woman — not exactly the audience for this kind of title — but I can appreciate and even enjoy fanservice on occasion. In fact, Chobits, which is another fanservice-y title with a much better plot, is one of my favorite CLAMP titles.)

Then there’s the story itself. It’s already been established that Miyuki-chan doesn’t have much of a plot. The volume contains seven short stories that follow the same basic formula of Miyuki falling into some weird new world and getting hit on by its female inhabitants. The first two are based on the classic children’s stories, Alice in Wonderland and Through the Looking Glass. Had the entire volume been devoted to a sexy parody of those two stories, it might have been interesting, but with so few pages, all that the stories amount to is Miyuki meeting a character, who maybe gets one or two speech bubbles to say something, before moving right on to the next one. The quirky characters from the original stories barely get any kind of personality at all, and Miyuki herself doesn’t do anything but express the desire to get away from them.

The other five stories fare a little better, as they tended to have fewer characters and a tad more plot. In fact, there was one I actually rather liked called “Miyuki-chan in Mah-Jongg Land”, in which three beautiful women come out from the pages of a mah-jongg manga Miyuki had been reading and force her to join them in a game of strip mah-jongg. Despite the fact that she’s doesn’t have much experience playing the game, Miyuki has beginner’s luck and manages to get the other girls to strip for her rather than the other way around. That was a nice change of pace. Also, fans of the aforementioned X might get a kick out of “Miyuki-chan in X Land”, where Miyuki gets sucked into the X movie and gets to meet the female characters Karen, Satsuki, Kanoe and Hinoto.

As for characterization…not even worth mentioning.

Miyuki-chan in Wonderland is not a title I would recommend buying, even if you are CLAMP fanatic. The only thing it has going for it is the pretty character designs, and you can just as easily enjoy the included color artwork in CLAMP’s Southside Artbook without having to suffer through this pure excuse for fanservice. Personally, I would just get the artbook instead unless you’re like me and want the complete CLAMP library. Don’t bother wasting your money otherwise.

Add a comment February 15, 2011

Suki: A Like Story

TITLE: Suki: A Like Story
RATING: Teen (13+)
SCORE: 10 (Masterpiece)
RECOMMENDED FOR FANS OF: CLAMP (mangaka of Card Captor Sakura, Chobits, etc.), romance, slice of life, mystery

When someone thinks about CLAMP, the first thing that tends to come to mind is fantasy. The group is mostly known for writing and drawing manga that doesn’t take place in the regular world as we know it. There’s usually either elements of the supernatural or science fiction — sometimes even both — in their work, and they’re great at portraying fantastic worlds that come straight from their imagination.

Suki: A Like Story, however, is different from their usual work in that it does take place fully in the “real” world — perhaps a far more idealistic world than the one we know, but still a story that feels like it could actually happen. I actually wasn’t expecting to like it that much, despite my love for student/teacher relationships, but to my great surprise, Suki has overtaken Chobits as my favorite CLAMP title and earns itself the first Masterpiece rating to be posted in this blog.

Suki: A Like Story is the story of high school student Hinata Asahi. Hina, as she likes to be called, is one of the top students in her class, but in spite of her book smarts, she’s also very child-like and naive about the world. Although her father is very rich, she chooses to live by herself with only her two teddy bears — gifts from her late mother — for company, as she’s often the target of kidnapping plots and doesn’t want to involve anyone else in her troubles.

One day, a man in his early thirties named Shiro Asou moves into the house next door to Hina’s, exciting her. He turns out to be her new substitute homeroom teacher, taking over for her regular teacher, who goes on maternity leave. To everybody else, he seems cold and unfeeling, but Hina sees beyond his gruff exterior to realize he’s actually a kind man underneath it all. Though her friends Touko and Emi warn her it isn’t a good idea, Hina develops a crush on her teacher as they spend more time together outside of school. However, Shiro is hiding a big secret from Hina, and soon strange things start to happen when they are together. Could he be another kidnapper targeting her for her father’s money?  

Student/teacher romances can be tough to pull off without turning off many readers, and CLAMP doesn’t have the best track record in that regard. I enjoyed the relationship between ronin Shimbo and his cram school teacher from Chobits, as well as the one between middle school student Touya and student teacher/miko Kaho from Card Captor Sakura, but the engagement between ten-year-old Rika and her twenty-something teacher Mr. Terada (also from CCS) is pretty squicky no matter how you look at it. (I don’t care if they don’t necessarily “do” anything; a grown man should not be falling in love with and proposing to his prepubescent student, no matter how mature she seems.) With Hina being so naive and trusting, an older, more experienced man like Shiro could have easily taken advantage of her, but CLAMP wisely keeps things rather innocent between the two. I’m sure some will still find the age difference between them disturbing, but if you can get pass that, the story itself is really quite sweet.

It’s hard not to be charmed by Hina, after all. She’s the type of character that makes a reader want to smile every time she appears on the page. Though childish and innocent to the ways of the world, she isn’t too “cutesy”, which I appreciated. She may talk to her stuffed bears like they’re real people, but it’s not because she actually thinks they’re alive like a child might. She’s just lonely living by herself. And while she may enjoy reading children’s picture books in her spare time, Hina is also incredibly smart. She’s just naive and only sees the best in people. That innocence may get her in trouble on occasion, yet there’s something quite appealing about it as well. She honestly sees nothing wrong with her feelings for her teacher. The translation of the original Japanese title sums up Hina’s love for Shiro best: “I like you, that’s why I like you.” It’s a very pure kind of love.

As for Shiro, he’s very emotionally closed off due to a certain event from his past, so it’s difficult to tell exactly what he feels toward Hina until the very end. I think that’s a good thing with this kind of story. Had the reader been clued into any “impure” thoughts an adult man like him might have had about Hina, it probably would have ruined the innocence of their romance and tipped their relationship more into the “squicky” direction. Instead, he’s very chaste toward her, and there’s nothing really sexual about their relationship at all.

The plot is on the simple side, but it’s paced really well. With some short series, things can feel kind of rushed at times, but Suki unfolds at a natural and steady rate. Like Chobits, where Chii is a fan of a series of picture books that seem to mirror her life, Hina’s relationship with Shiro also becomes the inspiration for a cute book series about bears. I have to admit, I loved that hook in Chobits, and it is done even better in Suki in my opinion. Though the identity of the “bad guy” seemed to come out of left field at first, looking back, there were subtle clues foreshadowing who it was.

The one minor flaw I have with the series is the artwork. It’s not bad by any means — it’s CLAMP, after all! — but it’s another series drawn mainly by Mick Nekoi, and I’m a bigger fan of Mokona’s prettier artwork. If not for the fact that Hina wears dresses and skirts, at first glance most people would assume she was a boy! Though the two other main female characters (Emi and Touko) are more feminine looking, they still look a tad too masculine to me, and Nekoi’s male characters tend to only come in two varieties — tall and dark, with short hair or short and blond, with longer hair. (Oh, and glasses. I suspect she has a bit of a glasses fetish.) Still, my mild dislike of the artwork is only a minor thing and didn’t lessen my enjoyment of the series.

This series may not be for everyone. Though the romance between Hina and Shiro is portrayed as very pure and innocent, some people may still think it is creepy. If you can look past the age difference, though, Suki: A Like Story is one of the sweetest romances I’ve had the pleasure to read. Highly recommended.

Add a comment December 15, 2010

A Million Tears

TITLE: A Million Tears
RATING: Teen (13+)
SCORE: 6 (Fine)
RECOMMENDED FOR FANS OF: Yuana Kazumi (mangaka of Flower of the Deep Sleep and Haru Hana), drama, supernatural, romance

Back in this review for Haru Hana, I put forth the hypothesis that mangaka Yuana Kazumi was better at portraying drama than she was comedy, so I tracked down some copies of her earlier, out-of-print series, A Million Tears, to put my theory to the test. The verdict? Yes, she does much better with dramatic material, although this series isn’t without its flaws.

Hiromu is just an average, ordinary sixteen-year-old high school student. He enjoys playing on his school’s champion basketball team, and he has a cute, if slightly quirky, girlfriend named Natsumi. One day, though, one of his friends suddenly goes missing, and to make matters worse, not only does no one care about the guy’s disappearance, they don’t even remember him! It’s as if the friend never existed at all, and soon other kids at Hiromu’s school begin disappearing as well, literally without a trace.

The disappearances turn out to be the work of a guy named Vermillion, a Destiny Thief who lives off the existances of humans. Once he “eats” someone, they vanish completely, even from people’s memories. The victims cease to exist. Hiromu, however, remembers the vanished people because he’s a Destiny Thief as well, whose real name is Glorious. He lost his memories of being a Destiny Thief after stealing the existance of the real Hiromu and assuming his life, but he begins to recover those memories after Vermillion re-introduces him to Valeriana, Glorious’ near-vegetative wife.

There’s a lot about the theme of this series I like. Using the hook of Destiny Thieves to explore the nature of existance and what it means to truly be alive is a clever idea, and the series manages to be quite deep despite its brevity.

The problem is, as noted at the end of Volume 1, A Million Tears was originally meant to be a single volume, meaning that Kazumi had to quickly think of ways to expand her basic plot. It seems she decided to do that by adding a series of flashbacks, detailing Glorious’ life from when he first became a Destiny Thief to how he became Hiromu. It’s not that these chapters are superfluous; they do serve a purpose. The first flashback shows how Hirokazu — the future Glorious — fell in love with Valeriana and decided to become a Destiny Thief in order to save her life, the second is about Glorious meeting the original Hiromu, and the third, taking place in between the first two memories, explains how Valeriana ended up in her near-vegetative state. The memories flesh out the characters’ history and build up the theme of the story.

The problem I have with these middle chapters is that they don’t really flow naturally into the plot. They just happen with no real warning or build-up, causing the reader confusion at first as they try to decipher exactly when things are happening. The flashbacks are just…there, and while they are interesting and answer a lot of questions, I just wish they felt more integrated into the narrative itself instead of feeling like tacked-on filler.

Another problem is that some of the characters’ personalities aren’t particularly well-defined. For example, Hiromu’s girlfriend Natsumi is supposed to be a little on the strange side, but she seems pretty normal to me. Sure, her classmates think she’s crazy when Hiromu disappears and she keeps insisting that he existed, but she was always supposed to be a little weird. Yet the only time I really saw that trait expressed before Hiromu’s reawakening as Glorious is when he tries to confide in her about his fears that he’s going crazy and she starts up a speech about how maybe everybody else is crazy instead. (It’s also revealed that she’s in the Sumo Club, which I guess is a bit unusual for a cute teenage girl.) Then there’s Vermillion, who remains a bit of a cipher throughout the whole series. He’s quite attached to Glorious, but it’s never made clear exactly what the nature of his feelings are. Is he in love Glorious? Lonely and just wants a friend? Does he just enjoy toying with people? Apparently, unlike Glorious and Valeriana, who were originally human, he was always a Destiny Thief, but where exactly did he come from?

The characterization of Hiromu/Glorious/Hirokazu, though, is rather well done. Each aspect is different, yet not radically so. You have Hirokazu, the bitter little rich boy who resents his engagement to a woman who he doesn’t love, yet shows kindness to the beautiful foreigner who arrives into town on a missionary mission when everyone else shuns her; Hiromu, the kind high school basketball player in love with his girlfriend; and Glorious — revengeful against humans for what happened in the past, devoted to Valeriana, and willing to do anything so that they can be together forever, yet hesistant to erase Natsumi even after she learns the truth about who he is. There’s a nice conflict between his Hirokazu personality and his Hiromu personality when he’s restored as Glorious that I enjoyed.

I also liked the artwork, especially the beautiful watercolor covers. It’s not as polished as Haru Hana, and both female leads have dreadful hairstyles, but there’s still something quite appealing about it. Vermillion, in particular, has some really nice facial expressions that I loved.

A Million Tears is most definitely a flawed work, but as one of Kazumi’s earlier works, that’s to be expected. Still, if you enjoyed the more dramatic parts of Haru Hana, I think it’s worth a look.

Add a comment November 10, 2010

Legal Drug

TITLE: Legal Drug
RATING: Older Teen (16+)
CATEGORY: Shounen-ai
SCORE: 6 (Fine)
RECOMMENDED FOR FANS OF: CLAMP (mangaka of xxxHolic, Tsubasa Reservoir Chronicle, Wish, The One I Love, Suki, etc.), supernatural, mystery, comedy, romance

As a general rule, I don’t review incomplete series on this blog. Neither do I tend to read shounen-ai/yaoi, which just isn’t my cup of tea. This will be a rare exception.

There’s a rather interesting story about how I came to own these three volumes of CLAMP’s Legal Drug. I mentioned in my last posted review that I bought my copy of another CLAMP title, Shirahime-Syo, secondhand. An online aquaintance of mine was getting rid of some of her manga collection, and among the offered titles was Shirahime-Syo, which I had been wanting for a while. However, it seemed silly to only buy one volume when the seller was offering a flat shipping rate. The cost of the shipping was more than the cost of the book! None of the other titles for sale really interested me, though, so in the end I randomly decided to pick up Legal Drug as well, since it was another CLAMP title and only three volumes long. At the price I was paying for them, it didn’t really matter to me if the series was ultimately left unfinished, and I was vaguely interested in reading one of CLAMP’s more shounen-ai-focused works, just out of curiosity.

I would describe Legal Drug as a more blatantly homoerotic version of their current series xxxHolic. The main characters are a pair of seventeen-year-old boys who live and work at Green Drugstore, owned by Kakei, a man with the power of precognition. The boys also possess unusual powers of their own: Kazahaya Kudo uses something akin to psychometry that allows him to see the memories of things and people he touches, while Rikuo Himuro’s power is telekinesis. In addition to their normal jobs at the pharmacy, Kakei offers them side jobs that often are linked to the supernatual. Based only on the three volumes that were released before the series was put on hiatus, it isn’t very clear yet what the main plot of the story is supposed to be, but these side jobs hint at a larger mystery, one involving the reason why Kazahaya ran away from his twin sister Kei and the disappearance of a mysterious woman named Tsukiko, who seems to be connected somehow to Rikuo.

But the main purpose of sending Kazahaya and Rikuo out on these jobs seems to be putting them in as many compromising positions as possible, which especially annoys Kazahaya since he can’t stand Rikuo. (Again, shades of xxxHolic, in how Watanuki despises Doumeki at first.) Rikuo, for his part, doesn’t seem to mind, finding Kazahaya’s freak-outs a source of constant amusement.

Unfortunately, the majority of these side jobs aren’t very interesting, only lasting about a chapter or two at most and not very suspenseful. One has them going to see a black-and-white movie so that Kazahaya can find out the color of a jewel — necessitating that he hold Rikuo’s hand since Kazahaya has a cold and can’t focus on his own — while another has Kazahaya dressing up as a schoolgirl and being possessed by a spirit, who wants to confess to the boy she had a crush on — of course played by Rikuo.

It isn’t until the third volume that a job comes along that feels like a true mystery. Taking pretty much the entire volume to resolve, it involves Kazahaya and Rikuo enrolling together in an all-boys’ school. In what I assume is an affectionate parody of yaoi tropes, nearly all the students are so horny that they have no problems with turning to each other to take care of their sexual urges in lieu of girls. In fact, the highlight of the school’s cultural festival is the choosing of the prettiest boy to be the “bride” in a fake marriage ceremony, during which the bride is allowed to wear the school’s treasure — a ring that Kazahaya and Rikuo are supposed to steal.

I actually really enjoyed this whole arc, largely in part to Kazahaya’s roommate, Satoru Nayuki. He’s the vice-president of the student council and looks the part of a serious student, thanks to his glasses, but despite his prim and proper exterior, he’s no innocent and enjoys introducing Kazahaya to how things work at the school. The contrast between his goody-two-shoes image and the shocking things that come out of his mouth is just hilarious, as are pure and virginal Kazahaya’s reactions to him and the other students at the school.

The strength of this title is really the characters. Kazahaya and Rikuo are somewhat similar to Watanuki and Doumeki as mentioned before, but different enough that they aren’t clones. Kazahaya is less prone to crazy antics than Watanuki, but possibly more naive, while Rikuo is more the strong, silent type in comparison to Doumeki’s sarcastic personality. My favorite characters, though, are Kakei and his lover Saiga. Their relationship seems to be a deconstruction of the stereotypical seme/uke dynamic often found in yaoi. Kakei, the shorter, more feminine looking of the two, is clearly the more dominant partner, with a hidden sadistic side to him. Sunglass-wearing giant Saiga, on the other hand, is the domestic sort, with a talent for sewing and other such skills.

As for the art, it’s CLAMP, so of course it’s pretty, but not one of my favorites when it comes to artwork. Drawn by Mick Nekoi, who has admitted before that she has trouble drawing distinctive men, the characters do look kind of alike. In fact, Kazahaya and Rikuo could pass as Kakei’s and Saiga’s respective, nearly identical sons, as they do in an amusing omake at the back of one of the volumes. It seems rather strange to me to choose Nekoi to do the drawing for a series with a cast of almost all men, but it is still well-drawn despite the similarity of some of the characters’ looks.

Should CLAMP ever return to working on Legal Drug, I wouldn’t mind reading the rest of it, especially if there are more jobs like the last one. I’m intrigued by the mystery of Tsukiko and Kei, and the characters are quite fun. But if it remains unfinished, I honestly won’t be too disappointed. CLAMP has other titles I would prefer they finish first (like Clover, The Legend of Chun Hyang, and (though I haven’t read the manga yet) X), and the story is similar enough to xxxHolic that it doesn’t really feel necessary for them to continue. Still, those who are disappointed by the lack of overt Watanuki/Doumeki fanservice in xxxHolic will probably enjoy the much more expressive pairing of Kazahaya/Rikuo (as well as Kakei/Saiga). They’ve got way better sexual chemistry anyway.

Add a comment October 20, 2010


TITLE: Shirahime-Syo
RATING: Teen (13+)
SCORE: 7 (Good)
RECOMMENDED FOR FANS OF: CLAMP (mangaka of xxxHolic, Magic Knights Rayearth, Card Captor Sakura, The One I Love, The Legend of Chun Hyang, etc.), supernatural, romance, tragedy

Shirahime-Syo translated into English means “Snow Goddess Tales”, but curiously, the title Snow Goddess (actually a yuki-onna, a spirit from Japanese folklore) only appears in one of the four stories presented in this beautiful short story collection from CLAMP. She is only referenced in the other three winter-based stories by characters who tell of a legend, claiming that the falling snow is the tears of the Snow Princess. Still, the stories are all linked together by their tragic endings, which the Snow Princess comments on in the framing story when she reveals that the snow is not caused by her tears, but by the despair of humans.

The first of the main short stories is called “On Wolf Mountain” and is probably my favorite. In it, a young woman named Fubuki plans revenge for her father’s death at the hands of the savage animal who killed him. He is described as “a wolf the color of night” with “eyes the color of blood”. Her mother is against Fubuki leaving, fearing she will suffer the same end as her father, but Fubuki is adamant about killing the wolf and sets off on her own. While searching for the wolf in the mountains, she comes across a pack of wild dogs, who attack her. Fubuki is certain she is going to die, but she is saved at the last minute by the black wolf she has been looking for.

I liked Fubuki the best out of all the female characters in the story, and though I’m not really a dog lover, I enjoyed the relationship that brewed between her and the wolf, who she named Inuki, as they depended on each other to get through the harsh winter. Those who are attached to their pets, especially dogs, are certain to find the ending particularly heart-breaking.

The second story, called “The Ice Flower” is the shortest and most tragic of the tales. Based on similar stories from around the world, it is about a pair of young lovers who are to be separated when the man decides to set out on a journey. The girl Kaya promises to wait by the lake where they say their goodbyes for as long as it takes for his promised return. Thirty years later, the man finally comes back to the village. Though he knows it is unlikely that Kaya would have really waited for him after so many years, he has to know for certain. He is unprepared for the sight that awaits him at the lake, however. Readers may roll their eyes at the depths Kaya goes to to keep her promise to her lover, but it is romantic in a very tragic way.  

“Hiyoku no Tori”, the last tale, is also about separated lovers. A young man decides to become a soldier in order to impress the disapproving father of Yukino, the woman he loves. However, after a battle, he is separated from his troops and becomes lost in a snow-covered area far from civilization. While wandering around, trying to find his way home, he sees a pair of beautiful herons. The sight of them reminds him of how he can’t be with Yukino, and in a jealous rage, he kills one of the birds with his bow and arrow. A few days later, he comes across the heron’s headless carcass again, telling him that all he’s been doing is walking in circles. The man is certain he is going to die without seeing his beloved Yukino again, but then a beautiful woman carrying a skull in her arms appears before him and points him in the direction of his hometown. It’s a somewhat similar story to “On Wolf Mountain”, but I don’t want to ruin the rest of the story, so I won’t say anything more about it.

I enjoyed all the stories, but I think the real beauty of the collection is the artwork. It’s still unmistakably CLAMP, but the style is closer to traditional Japanese artwork, appropriate for a collection of stories based on folklore. I don’t think many would disagree with me when I say that Shirahime-Syo features some of CLAMP’s best art. Unfortunately, I can’t seem to find who was the lead artist for this anthology, but I assume it is probably Mokona, who is the team’s main artist.

For fans of CLAMP’s beautiful artwork, I’d highly recommend picking up a copy of Shirahime-Syo if you can find one. (I picked mine up secondhand, since I believe it is now out of print.) For everyone else… I don’t know. The short stories are solid and the artwork fantastic, but the volume is on the thin side and not as entertaining as some of their other series. Reading Shirahime-Syo feels akin to being assigned a piece of classic literature in English class: the story may be well-written and the plot somewhat interesting, but ultimately you’d rather be reading Harry Potter. (Granted, I actually really loved most of the books I read in school, but I was the minority in my AP English classes.) Still, if you like more literary-minded manga inspired by folklore, this anthology might be worth a glance.

Add a comment October 7, 2010

Haru Hana

TITLE: Haru Hana
RATING: Teen (13+)
NUMBER OF VOLUMES: 3 (released as an omnibus)
SCORE: 6 (Fine)
RECOMMENDED FOR FANS OF: Yuana Kazumi (mangaka of Flower of the Deep Sleep and A Million Tears), romance, humor, drama

I wasn’t quite sure what I was in for with Haru Hana. I bought it solely on the basis of the cute cover art and the fact that the entire series could be had in one affordably priced omnibus edition. (I’m always a sucker for omnibus editions…)

Teenager Hana Yamada has an unusual condition: whenever she is touched by a guy, particularly a cute one, she breaks out into itchy hives. The only thing that can cure them is drinking green tea. When she moves in with her older sister in Tokyo, Hana hopes for a fresh start where nobody knows about her weird disease. Unfortunately, her debut at her new school doesn’t go exactly as planned.

To make matters worst, her sister forces her to take a job at a local relaxation room to pay off her debts for her. Said relaxation room happens to be run by two good-looking guys: the owner Shinnosuke, an older gay man who provides refreshments for the customers, and Haru, the amnesiac masseur, who also happens to be one of her new classmates. Haru quickly becomes the bane of Hana’s existence, often touching her on purpose just to see her break out. But underneath his prickly personality, Hana realizes he’s actually a very kind and empathic person and tries to help him deal with his missing memories.

There’s nothing really special about this series at first. It’s a fairly standard high school romance in which the lead couple seems to hate each other at first, but begin to develop feelings for each other once they start spending more time together. It’s a storyline you see all the time, and even though it’s labeled by Tokyopop as a comedy, I didn’t find it particularly funny, since most of the humor centers around Haru touching Hana and causing her to break out in hives. I suppose it’s kind of funny when he (or another guy) does it unintentionally, but when Haru does it on purpose, it just comes off as plain mean and makes it rather hard to like him.

But things start to improve in the third volume, which is devoted almost exclusively to the mystery of Haru’s lost memories. The reason why Haru lost his memories is quite shocking, considering how light-hearted the rest of the series is, and gives the story some much appreciated depth. Though I haven’t read her other two works that were released in English, I strongly suspect that Kazumi is better at doing drama than she is humor, because while it took me several days to get through the first two volumes, I couldn’t put the book down once I got to the last one. I even started liking the pairing of Haru and Hana by the end, which honestly surprised me, since I wasn’t a fan at first.

I think the strongest aspect of the series is the artwork. I already mentioned that the cover art was one of the things that drew me to Haru Hana, and it makes me kind of sad that this is an omnibus edition, since that means we only get one cover. While the other two covers are provided as extras at the back of the book, they’re in black and white, which lessens their impact. I wouldn’t have minded paying a little extra to get them in color.

Still, the art inside is just as charming as the cover. It’s cute without being childishly cute. The characters actually look their age, and their eyes are only just a tad larger than necessary. I especially liked Hana’s design. No one would mistake her for being movie star gorgeous — her hairstyle actually reminds me a little of Lisa Simpson, of all characters! — but she’s adorable and attractive in an off-beat kind of way that’s refreshing compared to the prettier shoujo heroines you often see. I will mention that it was almost impossible to distinguish between Shinnosuke and his cousin Aoi, though. Their faces are pretty much identical, and even their hairstyles are nearly the same.  

Had this series not been released as an omnibus, I’m not sure I would recommend it. I loved the artwork, and Hana was a likeable heroine, but the humor fell flat most of the time and the plot didn’t really pick up until nearly the end. However, getting a complete, three-volume series for about $17 retail isn’t a bad deal, and I don’t regret picking it up. While it may not be the best series in the world, I feel I got my money’s worth.

1 comment September 1, 2010






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