Archive for December 2010




Suki: A Like Story

TITLE: Suki: A Like Story
AUTHOR/MANGAKA: CLAMP
PUBLISHER: Tokyopop
RATING: Teen (13+)
CATEGORY: Shoujo
NUMBER OF VOLUMES: 3
SCORE: 10 (Masterpiece)
RECOMMENDED FOR FANS OF: CLAMP (mangaka of Card Captor Sakura, Chobits, etc.), romance, slice of life, mystery

When someone thinks about CLAMP, the first thing that tends to come to mind is fantasy. The group is mostly known for writing and drawing manga that doesn’t take place in the regular world as we know it. There’s usually either elements of the supernatural or science fiction — sometimes even both — in their work, and they’re great at portraying fantastic worlds that come straight from their imagination.

Suki: A Like Story, however, is different from their usual work in that it does take place fully in the “real” world — perhaps a far more idealistic world than the one we know, but still a story that feels like it could actually happen. I actually wasn’t expecting to like it that much, despite my love for student/teacher relationships, but to my great surprise, Suki has overtaken Chobits as my favorite CLAMP title and earns itself the first Masterpiece rating to be posted in this blog.

Suki: A Like Story is the story of high school student Hinata Asahi. Hina, as she likes to be called, is one of the top students in her class, but in spite of her book smarts, she’s also very child-like and naive about the world. Although her father is very rich, she chooses to live by herself with only her two teddy bears — gifts from her late mother — for company, as she’s often the target of kidnapping plots and doesn’t want to involve anyone else in her troubles.

One day, a man in his early thirties named Shiro Asou moves into the house next door to Hina’s, exciting her. He turns out to be her new substitute homeroom teacher, taking over for her regular teacher, who goes on maternity leave. To everybody else, he seems cold and unfeeling, but Hina sees beyond his gruff exterior to realize he’s actually a kind man underneath it all. Though her friends Touko and Emi warn her it isn’t a good idea, Hina develops a crush on her teacher as they spend more time together outside of school. However, Shiro is hiding a big secret from Hina, and soon strange things start to happen when they are together. Could he be another kidnapper targeting her for her father’s money?  

Student/teacher romances can be tough to pull off without turning off many readers, and CLAMP doesn’t have the best track record in that regard. I enjoyed the relationship between ronin Shimbo and his cram school teacher from Chobits, as well as the one between middle school student Touya and student teacher/miko Kaho from Card Captor Sakura, but the engagement between ten-year-old Rika and her twenty-something teacher Mr. Terada (also from CCS) is pretty squicky no matter how you look at it. (I don’t care if they don’t necessarily “do” anything; a grown man should not be falling in love with and proposing to his prepubescent student, no matter how mature she seems.) With Hina being so naive and trusting, an older, more experienced man like Shiro could have easily taken advantage of her, but CLAMP wisely keeps things rather innocent between the two. I’m sure some will still find the age difference between them disturbing, but if you can get pass that, the story itself is really quite sweet.

It’s hard not to be charmed by Hina, after all. She’s the type of character that makes a reader want to smile every time she appears on the page. Though childish and innocent to the ways of the world, she isn’t too “cutesy”, which I appreciated. She may talk to her stuffed bears like they’re real people, but it’s not because she actually thinks they’re alive like a child might. She’s just lonely living by herself. And while she may enjoy reading children’s picture books in her spare time, Hina is also incredibly smart. She’s just naive and only sees the best in people. That innocence may get her in trouble on occasion, yet there’s something quite appealing about it as well. She honestly sees nothing wrong with her feelings for her teacher. The translation of the original Japanese title sums up Hina’s love for Shiro best: “I like you, that’s why I like you.” It’s a very pure kind of love.

As for Shiro, he’s very emotionally closed off due to a certain event from his past, so it’s difficult to tell exactly what he feels toward Hina until the very end. I think that’s a good thing with this kind of story. Had the reader been clued into any “impure” thoughts an adult man like him might have had about Hina, it probably would have ruined the innocence of their romance and tipped their relationship more into the “squicky” direction. Instead, he’s very chaste toward her, and there’s nothing really sexual about their relationship at all.

The plot is on the simple side, but it’s paced really well. With some short series, things can feel kind of rushed at times, but Suki unfolds at a natural and steady rate. Like Chobits, where Chii is a fan of a series of picture books that seem to mirror her life, Hina’s relationship with Shiro also becomes the inspiration for a cute book series about bears. I have to admit, I loved that hook in Chobits, and it is done even better in Suki in my opinion. Though the identity of the “bad guy” seemed to come out of left field at first, looking back, there were subtle clues foreshadowing who it was.

The one minor flaw I have with the series is the artwork. It’s not bad by any means — it’s CLAMP, after all! — but it’s another series drawn mainly by Mick Nekoi, and I’m a bigger fan of Mokona’s prettier artwork. If not for the fact that Hina wears dresses and skirts, at first glance most people would assume she was a boy! Though the two other main female characters (Emi and Touko) are more feminine looking, they still look a tad too masculine to me, and Nekoi’s male characters tend to only come in two varieties — tall and dark, with short hair or short and blond, with longer hair. (Oh, and glasses. I suspect she has a bit of a glasses fetish.) Still, my mild dislike of the artwork is only a minor thing and didn’t lessen my enjoyment of the series.

This series may not be for everyone. Though the romance between Hina and Shiro is portrayed as very pure and innocent, some people may still think it is creepy. If you can look past the age difference, though, Suki: A Like Story is one of the sweetest romances I’ve had the pleasure to read. Highly recommended.

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Add a comment December 15, 2010

Tsubasa Reservoir Chronicle

TITLE: Tsubasa Reservoir Chronicle
AUTHOR/MANGAKA: CLAMP
PUBLISHER: Del Rey
RATING: Teen (13+)
CATEGORY: Shonen
NUMBER OF VOLUMES: 28
SCORE: 6 (Fine)
RECOMMENDED FOR FANS OF: CLAMP (mangaka of xxxHolic, Card Captor Sakura, RG Veda, Magic Knight Rayearth, etc.), Tsubasa Chronicle anime, xxxHolic anime, Card Captor Sakura anime, action, adventure, supernatural, romance, comedy, drama

I remember when I first heard about Tsubasa Reservoir Chronicle, right around the time CLAMP first started working on it. I thought it sounded like some kind of terrible alternate universe Card Captor Sakura fanfiction and dismissed it as something I would never want to read, despite being a CLAMP fan. After all, if I wanted to read about Sakura becoming a princess, all I had to do was check out the CCS section at Fanfiction.net, where practically every second story featured a “Princess Sakura” — an exaggeration, of course, but not by much.

Fast-forward a few years, when I spotted an omnibus edition of the first three volumes at Barnes & Noble. (I believe the omnibus was a B&N exclusive; I never saw it anywhere else.) As I have admitted several times on this blog, I’m an absolute sucker for omnibus editions, so despite my previous reservations, I decided to give Tsubasa Reservoir Chronicle a chance.

The main characters of Tsubasa Reservoir Chronicle are slightly older versions of Sakura and Syaoran, the leads from CLAMP’s popular series, Card Captor Sakura. Here, Sakura is the beloved princess of a desert kingdom called Clow ruled by her older brother King Toya, while Syaoran is the adopted son of Fujitaka (incidently, Sakura’s father in CCS), an archeologist who is studying one of Clow’s ancient ruins. One day, Sakura ends up activating the ruins, causing an army of unknown enemies to storm the country and a pair of wings to sprout from Sakura’s back. The wings soon break apart, however, scattering into countless feathers that fly away. Sakura falls unconscious, and the high priest Yukito — another CCS character — sends her and Syaoran to see the Time-Space Witch named Yuuko in order to save Sakura’s life.

At Yuuko’s shop, Syaoran is introduced to two other people who arrive at roughly the same time he does from other worlds. Kurogane is a battle-loving ninja from Japan — though not our Japan — who was sent against his will by Princess Tomoyo (yet another CCS character) to see the Time-Space Witch, and Fai is a magician from the country of Celes, on the run from Ashura (a character from another CLAMP work called RG Veda) for reasons unexplained. They all have different, but similar, wishes. For Syaoran, he needs to travel to many different worlds in order to collect Sakura’s feathers, which also contain all her memories, in order to save her life. Fai doesn’t care where he goes, as long as it’s far away from Ashura, and Kurogane just wants to return back home to his Japan and Princess Tomoyo.

They all need a way to travel to different worlds, but according to Yuuko, the price is too high for only one person to pay. The three decide to pay the price together, each giving up the thing that matters to them most, and in exchange, Yuuko gives them a strange, pork-bun shaped creature called Mokona Madoki, familiar to those who have read Magic Knight Rayearth, who has the ability to teleport them to other worlds. Together, the group start on a journey to find Sakura’s lost memory feathers, but sadly, the one memory she will never recover is that of Syaoran as part of Syaoran’s payment to Yuuko.

The first half of Tsubasa Reservoir Chronicle is a fun action/adventure story, as the group travels to different worlds (where they often meet alternate versions of other CLAMP characters) and gets to know each other better. Syaoran and Sakura, being expys from CCS, have much the same personalities as the originals, but Kurogane and Fai are new characters, unique to TRC. My personal favorite is the “daddy” of the group, Kurogane, whose gruff and hot-tempered exterior hides the fact that he actually comes to care quite a lot about the people he is traveling with. In contrast, light-hearted “mommy” Fai is seldom seen without a smile on his face, and he loves annoying Kurogane by giving him silly, cutesy nicknames. (He’s the one who starts the “daddy” joke.) The image is just a facade, though, as Fai has gone through more than his fair share of sadness and pain, as the reader learns later in the series. (Fai is the woobiest woobie to have ever woobied. Seriously.) There’s also the white Mokona (a black Mokona is briefly shown who plays a bigger role in xxxHolic), who, unlike its counterpart in MKR, can talk and say more than “Puu!” all the time. Mokona is adorable in TRC and is just as vibrant and developed a character as the other four members on the journey. Rounding out the group of main protagonists is the sexy and fashionable Time-Space Witch Yuuko, who occasionally helps out the travelers on their journey — provided the price is right, of course.

However, at around the halfway point of the story, when the group lands in a world commonly referred to as Acid Tokyo by fans, the series takes a sharp turn into Mind Screw territory that lasts until the final volume. (The ending of the anime classic Evangelion is mere child’s play compared to the second half of TRC. Trust me.) Many fans mark the Acid Tokyo arc as the point when the story really gets going, and it’s true that Acid Tokyo signifies the beginning of the main meat of the plot, so to speak, but for me, I much prefer the first half of the series. The second half turns what until then was a fairly simple plot into something that, quite frankly, doesn’t make much sense. (In fact, the goal of Fei-Wang Reed, the antagonist, is the breakdown of reason, because his ultimate wish can’t come true in a universe of reason.) You will get a headache trying to understand all the various twists and turns the story throws at you, and even then, you probably still won’t be able to comprehend it, especially if you’re not following the companion series xxxHolic as well. (Though Tsubasa Reservoir Chronicle and xxxHolic are (theoretically) supposed to be able to stand on their own as separate series, you really do need to be familiar with both canons in order to get the full story starting around this arc.) I figure that after about my fifth reread of the entire series (as well as xxxHolic), I might be able to understand about half of what is going on. … That’s a big “maybe”.

The storytelling at that point also becomes more than a bit sloppy, with a strong reliance on deus ex machina to make the plot — whatever that plot might be — work. (Actually, instead of being called the Time-Space Witch, Deus Ex Machina really seems a more fitting title for Yuuko.) While the travellers did, on occasion, ask Yuuko to help them out in the first half of the series, it becomes pratically an everyday occurence in the second half. Something impossible or shocking will happen, then a couple of chapters later, it’ll be revealed that a character/group of characters had actually made a deal with Yuuko beforehand to make that certain thing happen (since quite a few characters have the ability to see the future). Once or twice might have been fine, but when it happens at least once or twice a volume, it starts getting ridiculous. (Again, that’s an exaggeration…but not by much.) It seems almost like the characters can’t make a move without Yuuko’s assistance, weakening the story in my eyes. All the flashbacks also make it really difficult to figure out the chronology of the story — already an almost impossible task when time travel (and certain other spoiler-y plot points) is involved.         

Putting aside the plot, being CLAMP, of course the artwork is fantastic, but some may be intitially put off by the long and lanky look of the characters’ limbs. It took me a while to get used to the style myself, but now I rather like it. Of special note in my opinion are the various clothes the characters wear. Yuuko’s gorgeous wardrobe is far more extensive in xxxHolic, where she is seen more often, but the outfits we see her wearing in TRC are just stunning, cementing her spot as the most fashion-forward character in the CLAMP universe ever (which is saying something when she’s competing against the CCS Sakura’s multiple battle costumes, Clover Ora’s beautiful gothic-inspired dresses, and CLAMP’s ultimate dress-up models from Chobits, Chii and her identical “sister”.) The other characters get in the fun as well, often adopting fabulous new clothes when arriving in a new world. (And I’m not even touching on the amazing outfits the characters wear on the “just for fun” title pages.) Seriously, TRC almost works as well as fashion magazine as it does an adventure story, giving a bit of shoujo flavor in a largely very shounen-type story.

This is rather a hard title to recommend. The first half is great and a lot of fun to read. I would probably give it at least a score of seven, maybe even eight, if I were reviewing it separately. But how much you enjoy the second half will depend on how much you enjoy (or can tolerate) crack-filled stories. Some fans think the series gets better starting with the Acid Tokyo arc; others, like me, feel like CLAMP begins losing their way at that point and miss the humor and heart present in the first half. Add that to the fact that the series is really long — at present, TRC is the longest manga series I own, and I probably wouldn’t have started reading it had I known it was going to be nearly thirty volumes long — and that reading xxxHolic — another relatively long, still on-going series — is almost required to understand the plot, it’s a tough sell. (It also doesn’t hurt to be familiar with the rest of CLAMP’s body of work, Card Captor Sakura in particular, although the translation notes provided in each volume do a good job of pointing out most of the cameos.)

Still, I did enjoy the series overall and think that most CLAMP fans will, too. It’s the ultimate crossover, featuring many of CLAMP’s most beloved characters in a variety of interesting worlds, and Kurogane, Fai, and Yuuko are welcome additions to the CLAMP family. If you don’t mind giving your brain a mental work-out, Tsubasa Reservoir Chronicle might just be the series for you.

Add a comment December 1, 2010

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